A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel GARCÍA LANDA
(University of Zaragoza, Spain)
ROLAND
BARTHES (1915-1980)
(French [post]structuralist critic; b. Cherbourg, father killed
one year later, mother ostracized by family, illegitimate half-brother
Michel Salzado; childhood in poverty, tuberculosis, exempt from
military service, sanatoriums, t. Biarritz, Bucharest, Alexandria,
then Paris, lived with or near mother until 1977, closeted homosexual,
researcher at CNRS, 1976 Chair in Literary Semiology, Collège
de France; leading semiologist and structuralist critic, radical
anti-humanist theorist and analyst of realist ideologies, world-famous
authority, d. after being run over by a truck)
Works
1950s
Barthes,
Roland. "Le monde où l'on catche." 1952. In Barthes,
Mythologies. Paris: Seuil, 1957. (Rpt. Points). 13-23.*
_____. "The World of Wrestling." Trans. Annette Lavers.
In Barthes: Selected Writings. 18-30.
_____. "Au music-hall." In Barthes, Mythologies. Paris:
Seuil, 1957. (Rpt. Points). 176-9.*
_____. "L'acteur d'Harcourt." In Barthes, Mythologies.
Paris: Seuil, 1957. (Rpt. Points). 24-6.*
_____. "Les Romains au cinéma." In Barthes, Mythologies.
Paris: Seuil, 1957. (rpt. Points). 27-30.*
_____. "Martiens." In Barthes, Mythologies. Paris: Seuil,
1957. (Rpt. Points). 42-4.*
_____. "Critique muette et aveugle." In Barthes, Mythologies.
Paris: Seuil, 1957. (Points). 37-37.* (Reviewers).
_____. "L'Opération Astra." In Barthes, Mythologies.
Paris: Seuil, 1957. (Points). 44-7.*
_____. "Le vin et le lait." In Barthes, Mythologies.
Paris: Seuil, 1957. 74-7.*
_____. "Le Tour de France comme épopée."
In Barthes, Mythologies. Paris: Seuil, 1957. 110-21.*
_____. "La critique ni-ni." In Barthes, Mythologies.
Paris: Seuil, 1957. (Points). 144-47.*
_____. "Astrologie." In Barthes, Mythologies. Paris:
Seuil, 1957. 165-7.*
_____. "La dame aux camélias." In Barthes, Mythologies.
Paris: Seuil, 1957. (Points). 179-82.*
_____. Le degré zéro de l'écriture. 1953.
New ed. with Nouveaux essais critiques. (Points). Paris: Seuil,
1972.*
_____. Writing Degree Zero. Trans. Annette Lavers and Colin Smith.
Boston: Beacon Press, 1967. 1970.
_____. El grado cero de la escritura. Buenos Aires: J. Alvarez,
1967.
_____. El grado cero de la escritura. Buenos Aires: Siglo XXI,
1973.
_____. El grado cero de la escritura. Nuevos ensayos críticos.
Buenos Aires: Siglo XXI, 1973.
_____. "Writing and the Novel." In Essentials of the
Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy.
Durham (NC): Duke UP, 1988. 143-51.*
_____. "Littérature objective." 1954. In Barthes,
Essais Critiques. Paris: Seuil, 1964. (Points). 1971. 29-40.
_____. Michelet. Paris: Seuil, 1954.
_____. Michelet. New York: Hill and Wang, 1987.
_____. Michelet par lui-même. Paris: Seuil, 1969.
_____. "Le théâtre de Baudelaire." 1954.
In Barthes, Essais Critiques. Paris: Seuil, 1964, 1971. (Rpt.
Points). 41-47.*
_____. "Mère Courage aveugle." 1955. In Barthes,
Essais Critiques. Paris: Seuil, 1964. (Rpt. Points, 1971). 48-51.*
_____. "Littérature littérale." 1955.
In Barthes, Essais Critiques. Paris: Seuil, 1964, (Points). 1971.
63-70.*
_____. "La révolution brechtienne." 1955. In
Barthes, Essais Critiques. Paris: Seuil, 1964. (Rpt. Points, 1971).
51-52.*
_____. "Les tâches de la critique brechtienne."
1956. In Barthes, Essais Critiques. Paris: Seuil, 1964. (Rpt.
Points, 1971). 84-89.
_____. "Le vin et le lait." In Barthes, Mythologies.
Paris: Seuil, 1957. (Points). 74-7.*
_____. "Racine est Racine." In Barthes, Mythologies.
Paris: Seuil, 1957. (Rpt. Points). 96-99.*
_____. "Adamov et le langage." In Barthes, Mythologies.
Paris: Seuil, 1957. (Rpt. Points). 88-91.*
_____. "Dominici, or the Triumph of Literature." In
Barthes, Mythologies. Trans. Lavers.
_____. "Dominici, or the Triumph of Literature." In
The Cultural Studies Reader. Ed. Simon During. London: Routledge,
1993. 44-48.*
_____. "The Face of Garbo." 1957. In Film Theory and
Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall
Cohen. New York: Oxford UP, 1999. 536-38.*
_____. Mythologies. Paris: Seuil, 1957.
_____. Mythologies. (Points: Civilisation, 10). Paris: Seuil,
1970.*
_____. Mythologies. Select. and trans. Annette Lavers. London:
Cape, 1972.
_____. Mythologies. London: Paladin, 1973.
_____. Mythologies. St. Albans, 1973.
_____. From Mythologies. In A Critical and Cultural Theory Reader.
Ed. Antony Easthope and Kate McGowan. Buckingham: Open UP, 1992.
14-20.*
_____. "Mythologies." In Literary Theory: An Anthology.
Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell,
2004.
_____. "Il n'y a pas d'école Robbe-Grillet."
1958. In Barthes, Essais Critiques. Paris: Seuil, 1964. 101-5.*
_____. "Le dernier des écrivains heureux." 1958.
In Barthes, Essais Critiques. Paris: Seuil, 1964. (Rpt. Points,
1971). 94-100.*
_____. "La sorcière." 1959. In Barthes, Essais
Critiques. Paris: Seuil, 1964. (Points, 1971). 112-24.* (Michelet).
_____. "Tacite et le baroque funèbre." 1959.
In Barthes, Essais Critiques. Paris: Seuil, 1964, 1971. 108-11.*
_____. "Littérature et méta-langage."
1959. In Barthes, Essais Critiques. Paris: Seuil, 1964, 1971.
106-7.
_____. "Zazie et la littérature." 1959. In Barthes,
Essais Critiques. Paris: Seuil, 1964, 1971. 125-31.* (Queneau).
1960s
_____.
"L'Homme Racinien." Introd. to Racine's plays (Paris:
Club Français du Livre, 1960). Rpt. in Sur Racine.
_____. "Sur La Mère de Brecht." 1960. In Barthes,
Essais Critiques. Paris: Seuil, 1964. (Rpt. Points, 1971). 143-6.*
_____. "Le message photographique." Communications (1961).
Rpt. in Barthes, L'Obvie et l'obtus: Essais critiques III. Paris:
Seuil, 1982. (Points, 1992). 9-24.*
_____. "The Photographic Message." 1961. Trans. Stephen
Heath. In Barthes: Selected Writings. Ed. Susan Sontag. Glasgow:
Fontana, 1989. 194-210.
_____. "Mobile." 1962. In Barthes, Essais Critiques.
Paris: Seuil, 1964, 1971. 175-87.* (Butor).
_____. "Le point sur Robbe-Grillet." 1962. In Barthes,
Essais Critiques. Paris: Seuil, 1964. 1971. 198-205.*
_____. "Sociologie et socio-logique. A propos de deux ouvrages
récents de Claude Lévi-Strauss." Information
sur les sciences sociales n. s. 1.4 (1962). Rpt. in Barthes, L'aventure
sémiologique. (Points: Essais, 219). Paris: Seuil, 1991.
231-42.*
_____. "Structure du fait divers." Médiations
(1962). Rpt. in Barthes, Essais critiques. 1964. Paris: Seuil,
1971. 188-97.*
_____. "Criticism as Language." TLS 27 Sept. 1963.
_____. "Criticism as Language." In The Critical Moment.
London: Faber, 1963.
_____. "Criticism as Language." TLS (1963). In 20th
Century Literary Criticism: A Reader. Ed. David Lodge. London:
Longman, 1972. 647-51.*
_____. "Les deux critiques." Modern Language Notes (1963).
In French in Barthes, Essais critiques. 1964. Paris: Seuil, 1971.*
_____. "Littérature et signification." Tel quel
(1963). Rpt. in Barthes, Essais critiques 258-76.
_____. "La Bruyère." 1963. In Barthes, Essais
Critiques. Paris: Seuil, 1964, 1971. 221-37.*
_____. "Le message publicitaire." Cahiers de la Publicité
7 (1963). Rpt in Barthes, L'aventure sémiologique. (Points:
Essais, 219). Paris: Seuil, 1991.243-8.*
_____. "La métaphore de l'œil." 1963. In
Barthes, Essais Critiques. Paris: Seuil, 1964, 1971. 238-45.*
(Bataille).
_____. Sur Racine. Paris: Seuil, 1963.
_____. Sur Racine. Paris: Seuil (Points).
_____. On Racine. Trans. Richard Howard. New York: Hill and Wang,
1964.
_____. "What is Criticism?" TLS (1963). In Rylance,
Debating Texts 82-85.*
_____. "What Is Criticism?" In Contemporary Literary
Criticism: Literary and Cultural Studies. Ed. Robert Con Davis
and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994.
46-50.*
_____. "The Imagination of the Sign." In Debating Texts.
Ed. Rick Rylance. 86-90.
_____. "Ecrivains et écrivants." In Barthes,
Essais critiques. 1964. Paris: Seuil, 1971. 147-54.*
_____. "La cuisine du sens." Nouvel Observateur 10 December
1964. Rpt. in Barthes, L'aventure sémiologique. (Points:
Essais, 219). Paris: Seuil, 1991. 227-30.*
_____. "Rhétorique de l'image." Communications
4 (1964). Rpt. in Barthes, Rpt. in Barthes, L'Obvie et l'obtus:
Essais critiques III. Paris: Seuil, 1982. (Points, 1992). 25-42.*
_____. "Rhetoric of the Image." In Semiotics. Ed. Karin
Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener.
London: SAGE, 2002. Vol. 3.
_____. Eléments de sémiologie. Paris, 1964.
_____. "Eléments de sémiologie." Communications
4 (1964). Rpt. in Barthes, L'aventure sémiologique. (Points:
Essais, 219). Paris: Seuil, 1991.17-84.*
_____. Elements of Semiology. Trans. Annette Lavers and Colin
Smith. New York: Hill and Wang, 1968. 1981.*
_____. Elements of Semiology. Trans. Annette Lavers and Colin
Smith. London: Cape, 1967.*
_____. "Elements of Semiology." In Semiotics. Ed. Karin
Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener.
London: SAGE, 2002. Vol. 1.
_____. Elementos de semiología. Madrid: Alberto Corazón,
1971.
_____. Essais critiques. Paris: Seuil, 1964. Rpt. Paris: Seuil.
(Points: Littérature, 127). 1971.*
_____. Critical Essays. Trans. Richard Howard. Evanston: Northwestern
UP, 1972.
_____. Ensayos críticos. Barcelona: Seix Barral, 1964.
1983.
_____. "Les planches de l'Encyclopédie." 1964.
In Barthes, Le Degré zéro de l'écriture suivi
de Nouveaux Essais Critiques. Paris: Seuil, 1972. 89-105.*
_____. "Sémantique de l'objet." 1964, 1966. In
Barthes, L'aventure sémiologique. (Points: Essais, 219).
Paris: Seuil, 1991. 249-60.*
_____. "Semantics of the Object." In The Semiotic Challenge.
Trans. Richard Howard. New York: Hill and Wang, 1988.
_____. Le Degré Zéro de l'Ecriture. Elements de
sémiologie. Paris: Gonthier, 1965.
_____. Writing Degree Zero and Elements of Semiology. Trans. Annette
Lavers and Colin Smith. Introd. Susan Sontag. Boston: Beacon,
1967. 1976.
_____. "Chateaubriand: Vie de Rancé." 1965. In
Barthes, Le Degré zéro de l'écriture suivi
de Nouveaux Essais Critiques. Paris: Seuil, 1972. 106-20.*
_____. "Le théâtre grec." In Histoire des
spectacles. Ed. Guy Dumur. (Encyclopédie de la Pléiade).
Paris: Gallimard, 1965. Rpt. in Barthes, L'obvie et l'obtus. (Points,
1992). 63-85.
_____. "Drame, Poème, Roman." Critique (1965).
_____. "Drame, poème, roman." In Tel Quel: Théorie
d'ensemble. Paris: Seuil, 1968. 25-40.*
_____. "Bloy." 1966. In Barthes, Le Bruissement de la
langue. Paris: Seuil, 1984. 221-4.*
_____. Critique et vérité. (Tel Quel). Paris: Seuil,
1966.
_____. Criticism and Truth. Ed. and trans. K. P. Keuneman. London:
Athlone, 1987.
_____. "To Write: An Intransitive Verb?" In The Structuralist
Controversy: The Languages of Criticism and the Sciences of Man.
Ed. Richard Macksey and Eugenio Donato. Baltimore: Johns Hopkins
UP, 1972. 134-45.
_____. "To Write: An Intransitive Verb?" 1966. In Modern
Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh.
3rd ed. London: Arnold, 1996. 41-50.*
_____. "Introduction à l'analyse structurale du récit."
Communications 8 (1966): 1-27.* Rpt. as a book: Communications
8: L'analyse structurale du récit. Paris: Seuil, 1981.
7-33.*
_____. "Introduction à l'analyse structurale des récits."
Communications 8 (1966). In Barthes, L'aventure sémiologique.
(Points: Essais, 219). Paris: Seuil, 1991. 167-206.*
_____. "Introduction à l'analyse structurale des récits."
In Barthes et al., Poétique du récit. Paris: Seuil,
1977. 7-57.*
_____. "Introduction to the Structural Analysis of the Narrative."
Stencilled. (Occasional paper, Centre for Contemporary Cultural
Studies). Birmingham: U of Birmingham, 1966.
_____. "An Introduction to the Structural Analysis of Narrative."
Trans. Lionel Duisit. New Literary History 6 (Winter 1975): 237-72.
_____. "Introduction to the Structural Analysis of Narratives."
In The Semiotic Challenge. Trans. Richard Howard. New York: Hill
and Wang, 1988.
_____. "An Introduction to the Structural Analysis of Narratives".
In Barthes, Image-Music-Text. Ed. and trans. Stephen Heath. New
York: Hill and Wang, 1977. 79-124.
_____. "Introduction to the Structural Analysis of Narratives."
Trans. Stephen Heath. In Barthes: Selected Writings. Ed. Susan
Sontag. Glasgow: Fontana, 1989. 251-95.
_____. "Introduction to the Structural Analysis of Narrative."
In A Roland Barthes Reader. Ed. Susan Sontag. New York: Hill and
Wang, 1982. 251-95.
_____. "Introduction to the Structural Analysis of Narratives."
Selection. In Narratology: An Introduction. Ed. Susana Onega and
José Angel García Landa. London: Longman, 1996.
45-60.*
_____. In The Narrative Reader. Ed. Martin McQuillan. London:
Routledge, 2000.
_____. "Introduction to the Structural Analysis of Narratives."
In Semiotics. Ed. Karin Boklund-Lagopoulou, Alexandros Lagopoulos
and Mark Gottdiener. London: SAGE, 2002. Vol. 3.
_____. "Introducción al análisis estructural
de los relatos." In Comunicaciones: Análisis estructural
del relato. Buenos Aires: Ed. Tiempo Contemporáneo, 1974.
(Trans. of Communications 8, Paris: Seuil, 1966).
_____. "Introducción al análisis estructural
de los relatos." In Análisis estructural del relato
(Communications 8). Trans. Beatriz Dorriots. México: Premiá,
1982.
_____. "Pourquoi j'aime Benveniste." 1966, 1974. In
Barthes, Le Bruissement de la langue. Paris: Seuil, 1984. 191-6.*
_____. "Le Discours de l'histoire." Information sur
les sciences sociales (August 1967). Rpt, in Barthes, Le Bruissement
de la langue 153-66.
_____ . "Historical Discourse." In Structuralism: A
Reader. Ed. Michael Lane. London: Cape, 1970.
_____. "Historical Discourse." In Lane, Introduction
to Structuralism 145-55.
_____. "Historical Discourse." Introd. Stephen Bann.
Comparative Criticism: A Year Book. Vol. 3. Ed. E. S. Shaffer.
Cambridge, 1981. 3-19.
_____. "Historical Discourse." In Semiotics. Ed. Karin
Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener.
London: SAGE, 2002. Vol. 4.
_____. "Proust et les noms." 1967. In Barthes, Le Degré
zéro de l'écriture suivi de Nouveaux Essais Critiques.
Paris: Seuil, 1972. 121-34.*
_____. "Flaubert et la phrase." 1967. In Barthes, Le
Degré zéro de l'écriture suivi de Nouveaux
Essais Critiques. Paris: Seuil, 1972. 135-44.*
_____. "Sémiologie et urbanisme." 1967. Architecture
d'Aujourd'hui (1971). Rpt. in Barthes, L'aventure sémiologique.
(Points: Essais, 219). Paris: Seuil, 1991. 261-72.*
_____. Système de la mode. Paris: Seuil, 1967.
_____. Système de la mode. Paris: Seuil (Points).
_____. The Fashion System. Trans. Matthew Ward and Richard Howard.
New York: Hill and Wang, 1983.
_____. The Fashion System. Trans. Kathleen McLaughlin and David
Pellauer. Chicago, 1984.
_____. "Proust et les noms." 1967. In Barthes, Le Degré
zéro de l'écriture suivi de Nouveaux Essais Critiques.
Paris: Seuil, 1972. 121-34.*
_____. "Une idée de recherche." (Proust). In
Barthes, Le Bruissement de la langue. Paris: Seuil, 1984. 307-12.*
_____. "The Death of the Author." Aspen 5-6 (1967).
http://www.ubu.com/aspen/aspen5and6/threeEssays.html#barthes
2006-09-26
_____. "La mort de l'auteur." Manteia 5 (1968).
_____. "La mort de l'auteur." In Barthes, Le Bruissement
de la langue. Paris: Seuil, 1984. 61-68.*
_____. "The Death of the Author." In Barthes, Image-Music-Text
. New York: Hill and Wang, 1977. 142-154.*
_____. "The Death of the Author." In Barthes, The Rustle
of Language 49-55.
_____. "The Death of the Author." In Theories of Authorship.
Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge,
1981. 1995. 208-13.*
_____. "The Death of the Author." Select. in Twentieth-Century
Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 154-7.
_____. "The Death of the Author." In Modern Literary
Theory: A Reader. Ed. Philip Rice and Patricia Waugh. London:
Arnold, 1992. 114-21.
_____. "The Death of the Author." In Modern Literary
Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed.
London: Arnold, 1996. 118-22.*
_____. "The Death of the Author." In Issues in Contemporary
Literary Theory. Ed. Peter Barry. Houndmills: Macmillan, 1987.
53-54.*
_____. "The Death of the Author." In Modern Criticism
and Theory: A Reader. Ed. David Lodge. London: Longman, 1988.
166-72.*
_____. "The Death of the Author." In Semiotics. Ed.
Karin Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener.
London: SAGE, 2002. Vol. 3.
_____. "L'écriture de l'événement."
1968. In Barthes, Le Bruissement de la langue. Paris: Seuil, 1984.
175-81.*
_____. "L'effet du réel." Communications 11 (1968):
84-9.
_____. "L'effet du réel." In Barthes et al.,
Littérature et réalité. Paris: Seuil, 1982.
_____. "L'effet du réel." Rpt. in Barthes, Le
Bruissement de la langue. Paris: Seuil, 1984. 167-74.*
_____. ""The Realistic Effect." Trans. Gerald Mead.
Film Reader 3 (1978): 131-5.
_____. "The Reality Effect." In French Literary Theory
Today: A Reader. Ed. Tzvetan Todorov. Cambridge: Cambridge UP;
Paris: Editions de la Maison des Sciences de l'Homme, 1982. 11-17.
_____. "The Reality Effect." In Barthes, The Rustle
of Language. Trans. R. Howard. Oxford: Blackwell, 1986.
_____. "The Reality Effect." In The Rustle of Language.
Trans. Richard Howard. New York: Hill and Wang, 1986.
_____. "The Reality Effect." In The Realist Novel. Ed.
Dennis Walder. London: Routledge / Open U, 1995. 2001. 258-61.*
_____. "El efecto de lo real." In Georg Lukács
et al, Polémica sobre realismo. Barcelona: Buenos Aires,
1982. 139-56.
_____. "El efecto de realidad." In Barthes, El susurro
del lenguaje. Trans. C. Fernández Medrano. Barcelona: Paidós,
1987.
_____."La peinture est-elle un langage?" La Quinzaine
Littéraire (1969). Rpt. in Barthes, L'obvie et l'obtus.
Paris: Seuil, 1992. 139-41.*
_____. "Réflexions sur un manuel." 1969. In Barthes,
Le Bruissement de la langue. Paris: Seuil, 1984. 49-56.*
_____. "Les suites d'actions." 1969. In Barthes, L'aventure
sémiologique. (Points: Essais, 219). Paris: Seuil, 1991.
207-19.* English trans. in Patterns of Literary Style. Ed. Joseph
Strelka. University Park: Pennsylvania UP, 1971.
_____. "The Sequences of Actions." In The Semiotic Challenge.
Trans. Richard Howard. New York: Hill and Wang, 1988.
1970s
_____.
"The Third Meaning." 1970. Trans. Stephen Heath. In
Barthes: Selected Writings 317-33.
_____. "Science versus Literature." In Structuralism:
A Reader. Ed. Michael Lane. London: Cape, 1970. 410-16.
_____. "Science versus Literature." In Introduction
to Structuralism. Ed. Michael Lane. New York: Basic Books, 1970.
410-16.
_____. "Science versus Literature." Select. in Twentieth-Century
Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 140-6.*
_____. "L'ancienne rhétorique: aide-mémoire."
Communications 16 (1970): 172-223.
_____. "L'ancienne rhétorique: aide mémoire."
Communications 16 (1970). Rpt. in Barthes, L'aventure sémiologique.
(Points: Essais, 219). Paris: Seuil, 1991. 85-166.*
_____. "The Old Rhetoric: An Aide-Mémoire." In
Barthes, The Semiotic Challenge. Oxford: Blackwell, 1988. 11-95.
_____. "Ecrire la lecture." 1970. Rpt. in Le Bruissement
de la langue.
_____. L'Empire des signes. Geneva: Skira, 1970.
_____. The Empire of Signs. Trans. Richard Howard. New York: Hill
and Wang, 1982.
_____. "L'Esprit de la lettre." La Quinzaine littéraire
(1970). (Massin).
_____. "L'Esprit de la lettre." In Barthes, L'obvie
et l'obtus. (Points). Paris: Seuil, 1992. 95-70.*
_____. "L'Etrangère." Quinzaine littéraire
94 (1-15 may 1970): 19-20.
_____. "Historical Discourse." In Lane, Structuralism:
A Reader.
_____. "Musica practica." (Beethoven). L'Arc (1970).
Rpt. in Barthes, L'obvie et l'obtus. Paris: Seuil (Points), 1992.
231-5.*
_____. S/Z. Paris: Seuil, 1970.
_____. S/Z. (Points). Paris: Seuil.*
_____. S/Z. Trans. Richard Miller. Preface by Richard Howard.
New York: Hill and Wang, 1974.*
_____. S/Z. Trans. Richard Miller. London: Jonathan Cape, 1975.
_____. S/Z. Oxford: Blackwell, 1990.
_____. From S/Z. In A Critical and Cultural Theory Reader. Ed.
Antony Easthope and Kate McGowan. Buckingham: Open UP, 1992. 31-34.*
_____. S/Z. Trans. Nicolás Rosa. Madrid: Siglo XXI, 1980.
_____. "La mythologie aujourd'hui." Esprit (April 1971).
_____. "Le mythe, aujourd'hui." In Mythologies. Paris:
Seuil, 1957. (Points). 191-247.*
_____. "Change the Object Itself." In Barthes, Image-Music-Text.
Trans. Stephen Heath. London: Fontana, 1977. 165-69. Trans. of
"La Mythologie aujoud'hui."
_____. "Myth Today." In Semiotics. Ed. Karin Boklund-Lagopoulou,
Alexandros Lagopoulos and Mark Gottdiener. London: SAGE, 2002.
Vol. 4.
_____. "Un très beau cadeau." (Jakobson). 1971.
In Barthes, Le Bruissement de la langue. Paris: Seuil, 1984. 187-9.*
_____. "Le troisième sens: Notes de recherche sur
quelques photogrammes de S. M. Eisenstein." Cahiers de Cinéma
(1970). Rpt. in Barthes, L'obvie et l'obtus. (Points). Paris:
Seuil, 1992. 43-61.*
_____. "L'analyse structurale du récit. A propos d'Actes
10-11." In Barthes et al., Exégèse et Herméneutique.
Paris: Seuil, 1971. Rpt. in Barthes, L'aventure sémiologique.
(Points: Essais, 219). Paris: Seuil, 1991. 287-314.*
_____. "La mythologie aujourd'hui." Esprit (April 1971).
_____. "Le mythe, aujourd'hui." In Mythologies. Paris:
Seuil, 1957. (Points). 191-247.*
_____. "De l'œuvre au texte." Revue d'esthétique
3 (1971).
_____. "De l'œuvre au texte." In Barthes, Le Bruissement
de la langue. Paris: Seuil, 1984. 69-78.*
_____. "From Work to Text". 1971. In Barthes, Image-Music-Text
. New York: Hill and Wang, 1977. 155-164.*
_____. "From Work to Text." In Debating Texts. Ed. Rick
Rylance. Open UP. 117-22.
_____. "From Work to Text." In Literary Criticism and
Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 712-17.*
_____. "From Work to Text." In Modern Literary Theory:
A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London:
Arnold, 1996. 191-97.*
_____. Interview with Stephen Heath. Signs of the Times. 1971.
_____. Sade, Fourier, Loyola. Paris: Seuil, 1971.
_____. Sade, Fourier, Loyola. Paris: Seuil (Points).
_____. Sade, Fourier, Loyola. Trans. Richard Miller. London: Cape,
1975; New York: Farrar, Straus & Giroux, 1976.
_____. "Le style et son image." 1971. In Barthes, Le
Bruissement de la langue. Paris: Seuil, 1984. 141-151.*
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